two basilicas
MDFF
36 min
Genere: Documentario
Lingua: Italiano
Regia: Heinz Emigholz
Trama
The Grundtvigs Church (1913-1940) in Copenhagen, designed by Peder Vilhelm Jensen-Klint and built by six master bricklayer and their assistants in the period of twenty-seven years, and the Cattedrale di Santa Maria Assunta (1290-1591) in Orvieto, planned and executed by many master masons and craftsmen in the period of three hundred years. As the director writes: “A confrontation and comparison of two church buildings, which could hardly be more different, but also a dialogue between various concepts of church and community. The cathedral as a community achievement of great craftsmanship and the church like a strictly constructed dogma. Horizontal meets vertical, north meets south, mysticism meets joie de vivre, Protestantism meets Catholicism, clarity meets complexity, however they are distributed when it is a matter of the ideology of holy sites and the reflection and contemplation made possible inside them: the beauty of craftsmanship and political intentions”.
Info
36 min
Genere: Documentario
Lingua: Italiano
Regia: Heinz Emigholz
Trama
The Grundtvigs Church (1913-1940) in Copenhagen, designed by Peder Vilhelm Jensen-Klint and built by six master bricklayer and their assistants in the period of twenty-seven years, and the Cattedrale di Santa Maria Assunta (1290-1591) in Orvieto, planned and executed by many master masons and craftsmen in the period of three hundred years. As the director writes: “A confrontation and comparison of two church buildings, which could hardly be more different, but also a dialogue between various concepts of church and community. The cathedral as a community achievement of great craftsmanship and the church like a strictly constructed dogma. Horizontal meets vertical, north meets south, mysticism meets joie de vivre, Protestantism meets Catholicism, clarity meets complexity, however they are distributed when it is a matter of the ideology of holy sites and the reflection and contemplation made possible inside them: the beauty of craftsmanship and political intentions”.
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